Friday, May 11, 2012

Review: Death Note, Volume 1: Boredom


Death Note, Volume 1: Boredom
Death Note, Volume 1: Boredom by Tsugumi Ohba

My rating: 5 of 5 stars



Even having seen the whole anime series and knowing what is going to happen, it's still fun to read.



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Sunday, May 6, 2012

Review: Guitar Zero: The New Musician and the Science of Learning


Guitar Zero: The New Musician and the Science of Learning
Guitar Zero: The New Musician and the Science of Learning by Gary Marcus

My rating: 3 of 5 stars



Interesting book, though not quite what I wanted to read. Gary Marcus is a PhD in cognitive psychology who decides to pick up the guitar (and to learn music) later in life. The part of learning music and learning to play an instrument late in life is what drew me to this, since it's pretty much my own story. Marcus writes precious little about his personal journey and much more about the scholarly, cognitive aspects of the endeavour, which were interesting to read about. I got to understand better how humans are (or rather, how they are not) wired with a music instinct, how our brains evolve as we are trying to learn an instrument, how one can be an expert musician without knowing how to read music, and many other interesting points on cognition. Although all this material made for a very interesting intellectual read, I fear that the lasting lessons for my journey as a musician wannabe can be summarized in few words. In short, it's an interesting work in making psychology more accessible to the masses, but not terribly helpful to a guitar student.



View all my reviews

Review: Guitar Zero: The New Musician and the Science of Learning


Guitar Zero: The New Musician and the Science of Learning
Guitar Zero: The New Musician and the Science of Learning by Gary Marcus

My rating: 3 of 5 stars



Interesting book, though not quite what I wanted to read. Gary Marcus is a PhD in cognitive psychology who decides to pick up the guitar (and to learn music) later in life. The part of learning music and learning to play an instrument late in life is what drew me to this, since it's pretty much my own story. Marcus writes precious little about his personal journey and much more about the scholarly, cognitive aspects of the endeavour, which were interesting to read about. I got to understand better how humans are (or rather, how they are not) wired with a music instinct, how our brains evolve as we are trying to learn an instrument, how one can be an expert musician without knowing how to read music, and many other interesting points on cognition. Although all this material made for a very interesting intellectual read, I fear that the lasting lessons for my journey as a musician wannabe can be summarized in few words. In short, it's an interesting work in making psychology more accessible to the masses, but not terribly helpful to a guitar student.



View all my reviews